These range from hair yanking, breast pulling, pulling her pubes, rocking her on the horse, forcing her arms up strappado fashion. All of which will elicit some of the best screams, moans, groans, panting, and pleading I have seen in a while. Lauras acting combined with what I suspect is real discomfort and even pain is enhanced by the way the camera is used. For example, there is an excellent view of her straining arms and shoulders the first time her arms are hoisted up by her interrogator and the time he grabs both her nipples and pulls hard, forcing her to swing left and right on the horse like a pendulum 4 3. In my opinion, the peak point of the clip falls between 5 0. These are very intense minutes in which the interrogator devises another way to torment her tits by winding the end of the rope around her left breast. He will increase the torment by running a pointed iron poker between the coiled rope and her breast and turning it so as to further strangle her breast. At one point her left leg goes into spasms and her breath becomes ragged, all possible signs of real discomfort or pain. After a few turns of the iron poker, Lauras tormentor gently caresses her head and we hear her say please Sir Bitte Herr repeatedly. This is good interrogation technique, since it adds to the victims confusion by alternating gentleness with brutality. He answers her pleas by knocking and pushing on the wooden frame and pulling on her right breast producing some excellent foot movement on her part. A verbal exchange follows and its back to tightening the ligature around her breast with a couple of more turns of the iron rod. Her right leg now spasms and she screams as her hair is pulled. Her torturer adds to her anguish by using her long hair to choke her. After a while he grabs another iron poker and starts prodding her breasts with it while chocking her again. Her whole body is shaking now as he finally straightens her up again. A new round of torture begins with the use of the iron pokers. At first, Lauras tormentor just toys with her fear, sliding the iron tip very deliberately from her breasts down to her crotch. Then he goes to work on her genitals with the tip of two pointed rods. Noldus Ethovision Manual. One would imagine that the actress was straddled on the device with protection of some sort, but the close up of her genitals reveals no such trick so if there is one, it is very well concealed unlike the gaffe Ralphus revealed a few days ago regarding the Passion of Isabel. From Lauras crotch her interrogator moves on to her breasts, digging the iron tips into her aureoles and nipples. When he is finally done she is left panting and moaning. After a brief respite she is forced downward again. This is a down point of the clip because her posture reveals a nasty tattoo that the cameras had managed to conceal. This blotch could have been easily taken care of with makeup, or simply by having her swing in the opposite direction. There is some more strappado, belly slapping, and breast and genital abuse counterpointed by dialogue. The clip fades out at 1. Lauras ankles. There are several pluses to this first part of Lauras torment. The first is Laura herself. She is a good actress, I particularly enjoyed the way she pants and moans. I also suspect that she was not only acting but also under duress. It is possible to fake spasms and trembling, but the way her legs twitch and her whole body trembles suggest that she was really suffering. Secondly, the horse is not for wimps, as I stated before, it is some mean looking pony. The wardrobe of the interrogators is suitably medieval or at least 1. Most important, the damned tattoo is very well kept from view, except for the moment already mentioned. The tattoo incident is compensated by the presence of pubic hair. For old timers pubic hair is an erotic accent, besides it allows Lauras tormentor to add to her pain by pulling some of her pubes out. The set is minimalist, but could pass for a cramped basement in some inquisitorial palace or an improvised, as they often were, interrogation room. Although I cannot understand the dialogue, Laura and her interrogator are frequently exchanging words and she does a convincing job of blurting out desperate sounding answers or pleas. I would have preferred a more energetic interrogator, but I guess he is from the Jac Avila School of Underacting. His sidekick, is mostly expressionless and seems to be there to prevent Laura from falling and as comedy relief. Finally, the camera angles are varied with close ups of her face, shots from below and other camera angles, so you do not get the static impression that is usual in many clips. I would have preferred to have a formal judge and secretary intervening in the proceedings, but I guess the cramped space did not allow for this realistic touch. I would have also liked some variation in the interrogation methods, for example, whipping her and perhaps torturing the soles of her feet. The other element that is missing, from my perspective and peculiar tastes, is sweat. She should have been bathed in perspiration after all the abuse. All in all, I find this effort commendable and grade it B.