The Color of Art Pigment Database Pigment Red, PRColor Index Generic Name   Key Top Page TopThis is the C. I. Generic Name abbreviated given by the ASTM and Colour Index International CII for that pigment. The first 2 or 3 letters describe the general pigment color and the number is the individual pigment identifier. NA not applicable means that pigment has not been given a color index name or number. Natural Dye and Solvent Pigments. These are naturally occurring organic pigments and dyes. With a few exceptions, most are plant or animal extracts or dyes that need to be fixed to a substrate to become pigments i. The Color of Art Pigment Database Pigment Red, is a complete artists reference on red pigments used in making paint. It includes the Color Index names, chemical. Retrouvez toutes les discothque Marseille et se retrouver dans les plus grandes soires en discothque Marseille. SecurityStudy. 42315 stopword 39592 stopword. Madder Lake. A few are organic natural earths such as Cassel earth Van Dyke Brown. They are designated with C. I. Generic name of which consists of the usage class Natural and basic hue, followed by the CI serial number i. Natural Brown 8. Natural pigment CI generic names are often abbreviated with the usage class N the hue abbreviation the serial number. NBr 8  Pigment. Pigments can be organic or Inorganic. Most modern pigments are given this usage designation by the Color Index. They can be completely synthetic, naturally occurring minerals, or lakes based on the synthetic derivatives of natural dyes. Pigments are designated with C. I. Generic name which consists of the usage class Pigment and the basic hue followed by the CI serial number i. Pigment Red 1. 06, Cadmium Red. The pigment CI generic names are often abbreviated with the usage class P the hue abbreviation the serial number. PR8. 3 for Pigment Red 8. NY Natural Yellow NO Natural Orange NR Natural Red NV Natural Violet NB Natural Blue NG Natural Green NBr Natural Brown NBk Natural Black NW Natural White PY Pigment Yellow PO Pigment Orange PR Pigment Red PV Pigment Violet PB Pigment Blue PG Pigment Green PBr Pigment Brown PBk Pigment Black PW Pigment White PM Pigment Metal. The CI Color Index Common Pigment Name   Key Top Page TopIn this database the common name is the name given in the Color Index third edition, 1. Color Index International published by the Society of Dyers and Colourists and the American Association of Textile Chemists and Colorists, and are also used by the ASTM International, American Society for Testing and Materials. When the Colour Index 3rd edition has not specified a name, I have used the name that the first manufacturer, inventor or original patent holder has given that pigment. In the case of ancient pigments, historic pigments, minerals or other odd pigments, I have used the most commonly used traditional historic, mineral or chemical name as determined by my research. Common, Historic and Marketing Names   Key Top Page TopThese are the various names that have been used for that pigment whether or not it is the correct usage. This is NOT an endorsement of any particular name, but merely a collection of names that are in common usage or have been used in the past according to historic pigment books references, paint sales literature, and pigment manufacturers references. They have been collected in order of importance from. Paint manufacturers, pigment manufacturers andor other pigment supplier literature 2. Various web sites in particular AMIEN. Dick Blick Artist Supply, Handprint. Kremer Pigments, Natural Pigments, Kama Pigments, Sinopia Pigments,PCImag. The Color Index, Third edition published by the Colour Index International, 1. Historical books on pigments, oil painting, watercolor painting and other art forms see Free Art e Books 5. Artist manuals and handbooks see the bottom of the Pigment Databases main page for a complete list of reference works 6. Various dictionaries and encyclopedias both historic and contemporary. When a manufacturer has has used a common historical name for a pigment that is not the accepted traditional historic pigment name and has not clearly indicated it to be a hue or substitute, I have indicated it with the hue in parenthesis. For example callingnaming a paint made with Phthalocyanine Blue as Azure, Smalt or Cobalt Blue. ASTM specification D 4. Substitute and tone could be also considered acceptable means of indicating a hue substitute for the actual color. However, the ASTM specifications are usually voluntary and there is little means to enforce them. Also because of language differences, changes in the paint or pigments common identification because of contemporary usage often perpetrated by manufacturers incorrect color marketing names, and last but not least the sheer multitude of historically used paint names for any given paintpigment, its nearly impossible to prove or say a manufacturer of art materials is being purposely deceptive. C. I. Constitution Number or Colour Index Constitution Number chemical composition   Key Top Page TopThese are the chemical constitution numbers given that pigment by the Color Index International published by the Society of Dyers and Colourists and the American Association of Textile Chemists and Colorists, and are also used by the ASTM International, American Society for Testing and Materials. Each of the numbers in the Colour Index Constitution Number has a specific chemical or compositional meaning for more information. Colour Index Number Chart or go to the Color Index International and ASTM, American Society for Testing and Materials web sites these links open in a new window. Chemical Composition  Key Top Page TopThese are the basic chemical names, or mineral names along with chemical composition. I have also included CAS numbers, when I can fine them. Sometimes multiple names are given because chemical names can be stated in different ways and can also give an indication of the manufacture method. Bs En 12390 8 Pdf To Word' title='Bs En 12390 8 Pdf To Word' />Very often a pigment can be a group of related compounds rather than one specific chemical. I have not included detailed chemical descriptions or analyses, but only basic information that should help you to find further information. I have included references designated with Ref where further information can be attained. Adulterants, extenders and other additives may be added to artistic paints to improve the paint rheology, transparency, andor drying time. Often inert pigments, extenders and fillers are added to the color pigments in student grade paints or to modify paint pigments with overly strong tinting strength, i. Phthalocyanine Blues and Greens. These extra ingredients are rarely listed of the label. Color Description   Key Top Page TopThis is a general attempt to explain the hue in plain English. The perception of color is as individual as the the people viewing it and any such description can not be completely accurate, but merely give a general idea of the what color looks like to the average person. Many pigments have a range of shades and hues. This range in hues can be due to many things such as different manufacturing processes, exact chemical composition and crystal shape. In most cases, i have not used any of the attempted means of standardizing color descriptions for this such as the Munsell system, but where the pigment is included in the Color Index International Pigments and Solvent Dyes The Society of Dyers and Colourists, third edition 1. I have used that description, when there is no color hue description in the Color Index, I have used other reference sources in particularly manufacturer or supplier literature. Effects of long term light exposure are given when known, this may allow an artist to anticipate color changes and possibly use them as an advantage. These effects are all relative to the pigments inherent light fastness and may take decades or even centuries in museum conditions to be visible. Fades Becomes more Transparent. Lightens Loses chroma but maintains. Download Leon Schuster Videos Youtube.